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. | Sasquatch
(The
Untold)
(2002) |
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Apparently based on true events, this is the story of a rescue team headed by billionaire scientist Lance Henriksen who are out in the snowy wilderness searching for his daughter whose plane had disappeared after crashing in the region. Though Henriksen accepts that she couldn’t possibly have remained alive in the hostile surroundings, it is nevertheless it remains a huge mystery as to why the plane seems to have been torn apart and dragged all over the place. Meanwhile on of the geek-like members of the rescue team keeps jabbering on about how every culture known to mankind has a concept of a “Yeti” or the Abominable Snowman or a “Sasquatch” – different names for the same thing…a big bad bogeyman who lives in the forests of the mountains! Gradually it becomes apparent to our rather thick team that someone or something is stalking them and is mad as hell for having had his space invaded, or something to that effect. What at first appears to be a very overweight and elderly lumbering Gorilla like creature turns out to be something far more sinister and lethal. For a while all the audience gets to see of the “beast” a series of fuzzy, blurry images suggesting something big, dark and very unfriendly - gradually as the action progresses, the beast mutates into something resembling a cut price version of the Predator and it even suffers the same polarized vision difficulties the predator suffered from. Interwoven into this supposedly fact based tale is an angst ridden sub plot of a father trying to “fix things” with his distant, misunderstood daughter whose video footage he discovers among the plane wreckage. When he watches it he could have thought it was the Blair Witch Project as the video contains an identical “I think I’m gonna die out here” soliloquy that borders on parody rather than the rip off it is! In a less than thrilling climax, the hulking, shuffling fat ape turns out to be a distant cousin of The Predator who shares his predecessor’s hatred of mans negative use of technology. This brain-dead,
anaemic version of Predator is a wholly unsatisfying experience
– it fails to excite as a creature feature as the creature
itself is hardly ever visible and when it does come into view,
it’s a most unthreatening sight to say the least. Even
gore hounds will feel short-changed as so much is promised but
very little delivered. The acting is suitably abysmal and the
actual star of the show is the sound production team and the
background score composer who work overtime (needlessly and
in vain) to inject some sense of drama or tension into proceedings.
Noble though their intentions are, they simply don’t cut
it and inevitably nothing can save this film from the oblivion
that it deserves. So, a Predator meets Blair With in Vertical
Limits territory with dire results – a total waste of
time.
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